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The Lie I Almost Built My Life Around
How the boogeyman convinced me not to tell stories
Sep 8, 2025
•
One Brilliant Arc (OBA)
and
Jared Moses
7
4
5
They Cannot Get Rid of Us
Write so that history can never erase our stories
Jul 21, 2025
•
Charles Rodriguez
and
One Brilliant Arc (OBA)
10
5
6
Why We Love Batman More Than Superman
And what it means for writers
Jul 7, 2025
•
One Brilliant Arc (OBA)
and
Jared Moses
7
5
2
Your Story Doesn't Have to Be Perfect
But it DOES have to be poignant
Jun 9, 2025
•
One Brilliant Arc (OBA)
and
Charles Rodriguez
10
7
2
Mystery: Your Story’s Secret Weapon
Why the best stories don’t always give you closure
May 26, 2025
•
One Brilliant Arc (OBA)
and
Jared Moses
6
7
4
You Should Write Unnerving Stories
Exploring the film "Midnight Cowboy" and challenging what is "acceptable"
May 5, 2025
•
Kc MCclary
and
One Brilliant Arc (OBA)
7
5
4
What Can Stories Do Against Evil?
How powerless artists can make a difference in the real world
Apr 14, 2025
•
Charles Rodriguez
and
One Brilliant Arc (OBA)
4
5
"Unpromptability" in the Age of AI: What Makes Writing Stick, and What Makes it Forgettable
Why your “style” won’t save you from AI
Mar 31, 2025
•
One Brilliant Arc (OBA)
and
James Presbitero
6
5
The Mad Scribe’s Apprentice: Escaping a Land of Lost Souls
The origin story of a certain Pendragon
Mar 23, 2025
•
Kc MCclary
and
One Brilliant Arc (OBA)
1
2
Write Stories That Truly Haunt
How to use metaphor and symbolism the right way from Zora Neale Hurston's "Their Eyes Were Watching God"
Mar 17, 2025
•
Jared Moses
and
One Brilliant Arc (OBA)
1
4
Simple Plot Hole Solutions
The one where we talk about problem solving Spider-Man 3, the frustration of plot holes, and learning to create social media content for your brand.
Mar 10, 2025
•
One Brilliant Arc (OBA)
and
Charles Rodriguez
3
Make Your Readers Feel
The one where we talk about non-linear storytelling and character depth in "Station Eleven," then tragic endings and the purpose of art in "Hadestown"
Mar 3, 2025
•
One Brilliant Arc (OBA)
and
Jared Moses
4
2
2
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